Publication and the Anxiety of Judgement in German Musical Life of the Seventeenth Century
Identifieur interne : 000468 ( Main/Exploration ); précédent : 000467; suivant : 000469Publication and the Anxiety of Judgement in German Musical Life of the Seventeenth Century
Auteurs : Stephen RoseSource :
- Music and Letters [ 0027-4224 ] ; 2004-02.
Abstract
Much music published in Germany during the seventeenth century contained prefaces expressing anxiety about critical or hostile readers. Often such anxiety was a rhetorical conceit intended to gain patronal support. But it may also have been legitimately aroused by the practice of judging composers from their publications. The recipients of presentation copies often had them reviewed before granting a monetary reward. Professional musicians also subjected the published works of colleagues to stern scrutiny, as seen in the critiques that Heinrich Albert, Philipp Friedrich Böddecker, and Samuel Capricornus made of printed pieces. Such hostile criticism could stem from professional jealousy, and it also reflected uncertainty about what made a good composition in an era of rapid stylistic change.
Url:
DOI: 10.1093/ml/85.1.22
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 000267
- to stream Istex, to step Curation: 000224
- to stream Istex, to step Checkpoint: 000435
- to stream Main, to step Merge: 000493
- to stream Main, to step Curation: 000488
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">Publication and the Anxiety of Judgement in German Musical Life of the Seventeenth Century</title>
<author wicri:is="90%"><name sortKey="Rose, Stephen" sort="Rose, Stephen" uniqKey="Rose S" first="Stephen" last="Rose">Stephen Rose</name>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:5A34153503D1B222BEE472FBA02EC5BCEF8AEE0F</idno>
<date when="2004" year="2004">2004</date>
<idno type="doi">10.1093/ml/85.1.22</idno>
<idno type="url">https://api.istex.fr/document/5A34153503D1B222BEE472FBA02EC5BCEF8AEE0F/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">000267</idno>
<idno type="wicri:Area/Istex/Curation">000224</idno>
<idno type="wicri:Area/Istex/Checkpoint">000435</idno>
<idno type="wicri:doubleKey">0027-4224:2004:Rose S:publication:and:the</idno>
<idno type="wicri:Area/Main/Merge">000493</idno>
<idno type="wicri:Area/Main/Curation">000488</idno>
<idno type="wicri:Area/Main/Exploration">000468</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">Publication and the Anxiety of Judgement in German Musical Life of the Seventeenth Century</title>
<author wicri:is="90%"><name sortKey="Rose, Stephen" sort="Rose, Stephen" uniqKey="Rose S" first="Stephen" last="Rose">Stephen Rose</name>
<affiliation><wicri:noCountry code="subField">Cambridge</wicri:noCountry>
</affiliation>
</author>
</analytic>
<monogr></monogr>
<series><title level="j">Music and Letters</title>
<title level="j" type="abbrev">Music and Letters</title>
<idno type="ISSN">0027-4224</idno>
<idno type="eISSN">1477-4631</idno>
<imprint><publisher>Oxford University Press</publisher>
<date type="published" when="2004-02">2004-02</date>
<biblScope unit="volume">85</biblScope>
<biblScope unit="issue">1</biblScope>
<biblScope unit="page" from="22">22</biblScope>
<biblScope unit="page" to="40">40</biblScope>
</imprint>
<idno type="ISSN">0027-4224</idno>
</series>
<idno type="istex">5A34153503D1B222BEE472FBA02EC5BCEF8AEE0F</idno>
<idno type="DOI">10.1093/ml/85.1.22</idno>
</biblStruct>
</sourceDesc>
<seriesStmt><idno type="ISSN">0027-4224</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass></textClass>
<langUsage><language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">Much music published in Germany during the seventeenth century contained prefaces expressing anxiety about critical or hostile readers. Often such anxiety was a rhetorical conceit intended to gain patronal support. But it may also have been legitimately aroused by the practice of judging composers from their publications. The recipients of presentation copies often had them reviewed before granting a monetary reward. Professional musicians also subjected the published works of colleagues to stern scrutiny, as seen in the critiques that Heinrich Albert, Philipp Friedrich Böddecker, and Samuel Capricornus made of printed pieces. Such hostile criticism could stem from professional jealousy, and it also reflected uncertainty about what made a good composition in an era of rapid stylistic change.</div>
</front>
</TEI>
<affiliations><list></list>
<tree><noCountry><name sortKey="Rose, Stephen" sort="Rose, Stephen" uniqKey="Rose S" first="Stephen" last="Rose">Stephen Rose</name>
</noCountry>
</tree>
</affiliations>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/MonteverdiV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000468 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000468 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= MonteverdiV1 |flux= Main |étape= Exploration |type= RBID |clé= ISTEX:5A34153503D1B222BEE472FBA02EC5BCEF8AEE0F |texte= Publication and the Anxiety of Judgement in German Musical Life of the Seventeenth Century }}
This area was generated with Dilib version V0.6.21. |